The idle hour – Creation 2026

He never stops. He knows full well that if he did, the hamster in his head would take over, start
crawling, running, spinning. Keeping the agitation at bay, letting blissful ignorance prevail. Doing everything to prevent this storm from drowning his soul.

The Idle Hour is a thought-provoking, non-verbal performance that explores the relentless pursuit of productivity in modern society. Set against a stark stage with a human-sized hamster wheel, the piece features two acrobats whose contrasting personalities —one frantic and the other calm— unfold through a series of physical interactions. The wheel becomes both a symbol and an instrument of their existential struggle: a metaphor for the endless race toward an elusive happiness. Through a fusion of acrobatics, dance, and sound, the performance invites the audience to reflect on the pressures of modern life, the search for meaning, and the potential for peace amidst chaos.

Specifications

Two performers, one technician
Location: Indoors and outdoors
Duration: 60 minutes
Language: Movement-based (no text)
Up to 500 audience members
Age: 8+
Audience: Bi-frontal
Stage size : 8 meters x 8 meters
Performances per day: 1-2 x
Disciplines : Acrodance, acrodance partnering and music

Contact us for the detailed technical rider

Cast and crew

Concept, Sound Creation, and Direction: Samuel Rhyner
Performance: Samuel Rhyner and William Blenkin
External eyes: Luuk Brantjes, Britt Timmermans
Musical advice: Pierrick Bacher
Set design and construction: Job Schuermans
Choreographic advice: Pia Meuthen
Lighting creation: Eligio Membrez
Videos and photography : Mastershot : Maïm Dedeene
Technician: Jef Delva
Administration: Melanie Lamon, Samuel Rhyner and Vanessa Lixon
Production : Motus murmuri

Partners or the project 

With the support of Loterie Romande (CH), Canton du Valais (CH), Fondation Ernst Göhner (CH), Mira miro (Gent, BE), Pourcent-culturel Migros (CH), Circusstad Festival (Rotterdam, NL), Fonds culturel de la Société Suisse des Auteurs (SSA) et ProCirque, Corodis (CH), Espace Parallèle (St-Maurice, CH) et Quartier Culturel Malévoz (Monthey, CH), Fondation Engelberts (CH), Korzo Theater (Den Haag, NL), Circuswerkplaats Dommelhof (Neerpelt, BE), Banque Raiffeisen de Monthey (CH), Cirklabo (Leuven, BE), festival cirkL (Leuven, BE), Panama Pictures (’s Hertogenbosch, NL), Station Circus (Basel, CH)

Help with the international distribution: Buro Piket